Showing posts with label audio software. Show all posts
Showing posts with label audio software. Show all posts

Adobe Audition 2.0 Upgrade Review

Adobe Audition 2.0 Upgrade
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I've been using the software for better than a year and love working with it. I am a owner/producer of a on-line recording studio and it works flawless. I have worked with many audio programs and I think its on top of the rest.
Thanks for a great product Adobe!
J.R. Marshall/ATTIC Recording Studio

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Record, mix, edit, and master digital audio files with powerful tools that bring flexibility and control to your desktop studio. Easily create music, produce radio spots, and restore imperfect recordings. Bring audio and video together using smart integration with Adobe video applications. Get professional results in real time with Adobe Audition 2.0 software--the all-in-one toolset for professional audio production for music, radio, and video. Record and mix Low-latency mixing with unlimited tracks Enjoy rapid response as you record and mix with a new, powerful low-latency mixing engine. ASIO, VST, DirectX, and ReWire support Easily integrate Adobe Audition 2.0 into your workflow, thanks to broad support for industry formats and standards, including ASIO, VST, DirectX, and ReWire. More than 50 audio effects and DSP tools Work with more than 50 real-time audio effects including echo, flange, reverb, and more.

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Sonar 8.5 Producer Edition Review

Sonar 8.5 Producer Edition
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I've been a Cakewalk user for years, starting with their Pro Audio software and dating to when the company was known as 12-Tone Systems. Their software has only become better and better as the years have gone by. Sonar has been the best available Windows-based digital audio workstation software for a long time now - to the point where a fair number of producers and studios have migrated to Sonar from Pro Tools, not to mention a steadily increasing string of software and industry awards. (See Cakewalk's site for names, if interested.) And, of course, with Boot Camp, you can run Sonar native under Windows if you have a recent Intel-based Mac - running a Mac doesn't force you into Pro Tools for software at this level.
Be warned - if you are not heavily into audio, audio for video, MIDI, recording, sequencing, effects, looping, mastering, mixing, etc. - and possess the audio domain knowledge that all that entails, as well as a good understanding of the complexities of running full-on audio software from a technical standpoint - you can find yourself overwhelmed by this software, and you will be MUCH better off with Cakewalk's Home Studio version of Sonar. Sonar (particularly Producer) can be enormously complex, but that's not due to any design issues - quite the contrary! Rather, that's because it covers a vast array of audio activities, options, and capabilities. It is possible to use it simplistically, but I'd direct anyone with only those types of needs to simpler software suites.
On the other hand, if you do have the audio and technical knowledge, you'll find Sonar Producer is flexible, powerful, configurable, and responsive. It is also very stable and has been so for many versions now. Be aware that this type of software by its nature (high processing loads, need to control latency, timing control and issues among multiple devices and interfaces, etc.) can be compromised by PC setups optimized for multipurpose use.
The software comes with a terrific package of high-quality effects plug-ins. I've also found Cakewalk to have good customer service - one of the very, very few, in fact, where the response on customer service calls is as good as on sales calls. Cakewalk continues to improve the user interface with Sonar 8. Particularly welcome are edit changes, including multiple-clip edits, and optimizations targeted at running high track counts. Several instruments are included, and I'm particularly happy to see Dimension Pro, which includes Garritan Orchestral sounds, and TruePianos Amber. Your interests and activities will differ, of course (mini are Midi-heavy), and you should really look through the complete list of enhancements on Cakewalk's site. Enhancements for this version runs several pages long. This is a major upgrade from Sonar 7.
I do have one issue with Cakewalk, though I'm not knocking down the rating because of it as the software itself is too good. The problem is that Cakewalk hits their user base pretty hard on upgrade fees. You can pretty much count on having to spend a few hundred dollars per year to keep the software up to date if you take every version and keep your plug-ins up-to-date. I've always felt that companies should upgrade customers from the most recent versions for little or nothing if they have paid for a recent upgrade, at least for a download. There is some price tiering depending on what version you're running, but it's insufficient, in my opinion. At one point I unknowingly purchased an upgrade weeks before a new release - but Cakewalk still charged me the full upgrade price for the new version. That kind of pricing policy doesn't encourage customer loyalty. I understand that this is a minor issue for a pro or a studio, but Cakewalk also has a large installed base for Sonar Producer among non-pros.
My preference would be for Cakewalk to adjust their release approach to one of more incremental releases between major versions. It's far more disruptive to install a new version, taking on the setup and learning issues than it is to install incremental upgrades (Cakewalk does release some patches.). You do get what you pay for, however.
In addition to the software, buy a Sonar book or two, take the tutorials, hit one or two of Cakewalk's roadshows, and join a forum or two. There is a fairly steep learning curve with Sonar as with any other pro-level audio suite, the good news being there is a lot of support out there due to the market's embrace of Sonar.

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Sonar 8.5 Producer gives you what you need for recording, composing, editing, mixing, and mastering. Get innovations that matter, from exclusive features to ignite creativity and perfect tracks, to groundbreaking technologies that keep you in control, all backed by the industry's leading 64-bit audio quality. And Sonar 8.5 delivers the go to production tools you want with the best collection of virtual instruments, mixing, and mastering effects found in any DAW. With unlimited tracks, creative tools, and the most complete delivery capability between other DAWs, Sonar Producer is a cut above and your best choice in a digital audio workstation.

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Sound Forge 9 Review

Sound Forge 9
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appearantly the last reviewer doesn't understand the simplicity of what a fully featured "audio editing" program is.
as of soundforge 1.0, you could mix vocals into music, ...all you do is copy it onto the clipboard, ...and highlight the area in the audio you want to mix the vocals into, ...and move it also to the cliboard, ...then choose the "mix" setting on the clipboard, ...make any required adjustments inside the dialogue box, ....and click paste.
the cursor should still be left precisley at the point you extracted the audio segment to be mixed.
this is "not" a multi-track recorder.
this is an "audio editing program", ...mainly oriented towards sound designers, ...audio engineer "mastering" specialists. ...and people who use hardware and software samplers who want to get closer, spiritually with the essence of their samplers.
you 'can' sync to video, ...but vegas might be a better option.
soundforge 9 also excepts any VST plugins, ...an insane value if you are already into music production/recording/engineering.
not to mention "noise reduction", ...how else would you get all that vynil onto your hard drive, and capture its origional sound quality?
this editing program is by far more powerful than "ANY" editing program featured in any software multitrack recording program or DAW, ...as well as "ANY" hardware sampler.
although it is meant to "edit" with the entent of dispersing its results onto other working software/hardware applications.
don't get pissed cause you bought a high quality turntable needle, but can't be a full fledged dj without two turntables and a mixer.
the only competition is Steinberg Wavelab.
i haven't used it, ...but it costs twice as much, ...and steinberg has caught up to its features with surround sound mixing, ...video audio syncing, ...vst implementation, ...noise reduction 2.0, ....as well as CD Architect, ...what a great program to create RED BOOK STANDARD commercially professional cds?
soundforge + waves plugins? ....full fledged mastering studio for the price of a few hundred dollars? ...incredible!

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The Sound Forge® 9 professional digital audio production suite includes everything you need to quickly get from raw audio to finished master. Works with Windows® Vista™.System Requirements:Microsoft® Windows® Vista™ XP or 2000 SP4 900 MHz processor 150 MB hard-disk space for program installation 256 MB RAM Windows-compatible sound card DVD-ROM drive (for installation) Supported CD-Recordable drive (for CD burning) Microsoft DirectX® 9.0c or later (included on DVD-ROM) Microsoft .NET Framework 2.0 (included on DVD-ROM) Internet Explorer 5.1 or later (included on DVD-ROM) Format: WIN 2000XPVISTA Genre:PRODUCTIVITY UPC:855309736798 Manufacturer No:SF9000

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ACID Pro 6 Review

ACID Pro 6
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I looked at the Acid program several years ago and dismissed it because it was previously designed for loops only, and it wasn't as intuitive as I needed at that time.
A month ago, I worked through an Acid tutorial from Computer Music Magazine using the Acid Express program that is given free of charge from Sony on their website. Within a half an hour, I KNEW this program was a WINNER and I ordered it immediately.
I'm much more skilled at sequencing now than I was when I first looked at it. I couldn't believe how easy, useful, fast and fun it was to use. Now that Sony has taken some excellent steps toward making it a competitive DAW, I've switched from my linear DAW to Sony Acid Pro 6 for programming and sound design. The workflow in the program beats every single linear DAW by the sheer nature of it's design, and I've tried or used all of the major ones at one time or another.
This is an excellent program for general sequencing. Everything constructed in it can be exported to more complex software for finishing. The beauty of it is how quickly songs can be constructed compared to most DAWS, and how easy it is to learn to use. I've wasted more time editing to perfection in my other DAW, when the same functions take a split second in Acid.
It's a fine program and I highly recommend it. I'm looking forward to version 7 as I write this. This is NOT a full feature program that you can or should use to finish a commercial project. But it will take you to that moment of export faster and with less quirks and flaws than any linear DAW available today.


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In the world of digital music creation, ACID Pro software has always stood out from the crowd. Its automatic loop time-stretching and tempo-matching technology is second-to-none, and its straightforward pick, paint, and play functionality has helped make ACID Pro software the favorite loop-based music creation tool for millions of users worldwide. Now reformulated to add multitrack recording and full MIDI sequencing to its superior looping functionality, ACID Pro 6 software delivers a new formula for ground-breaking music creation: loops + multitrack + MIDI. Together, these key components add up to a full-featured professional music workstation unlike any other.

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My Voice Review

My Voice
Average Reviews:

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The feature list sounds awesome, but there is a catch: the software often mistakes certain musical sounds for vocals, in some cases suppressing some of the most prized elements of the recording.
I tried out version 1.4.5 with a couple of audio CDs and several MP3s. The program's interface is very rich in controls, and it seems especially busy because there is a large information pane that changes as you mouse over different parts of the window. This is handy because you don't need to right-click or press F1 for help, but as you move the mouse around it can be quite distracting. (It would be nice if there were a short delay so that the info pane didn't update until you had hovered the mouse over a particular control for a few hundred milliseconds.) After inserting a CD, the program either will find the names of the tracks in its local database or can look them up on the web. The player controls are fairly straightforward and you can use the mouse-over help combined with experimentation to decide which "special effects" you like.
To suppress the vocals on the current track, click the "MyVoice" button (arm holding microphone). You're likely to hear the volume decrease a bit as similar frequencies also are suppressed. You also may hear a little echo or "ghost voice" in the background, probably added in the studio to enhance the richness of the singer's voice. To adjust the effect, you click the MyVoice button to pop up a small panel that lets you boost or reduce the bass portion of the track, and make other adjustments that partially compensate for change in the higher registers. This part of the program could be better documented, but from my experiments, while it can help to rebalance the musical portions of the recording, it can't restore lost instruments. The problem was especially acute on the Santana hit Smooth, where many of the distinctive guitar solos disappeared along with Rob Thomas' vocals. Even percussion sounds, which a human could distinguish from a voice, occasionally were suppressed and impossible to restore. Because performance varies, you really just have to try it and see whether the effect "works" for your favorite songs.
(The Ripper lets you apply these adjustments to the tracks on a CD, saving the "no voice" tracks for future play. I didn't test this.)
When you are ready to sing, you call up the Sequencer. This dialog/pane leads to the options to record your own vocals and then mix them with the original track. The settings you made for the musical track in the player will carry over to the Sequencer, and you can make further adjustments as you desire. When recording your voice, it is best to have the Music Effects controls visible because then the program gives you visual feedback on the volume of your microphone and stops recording when the song is finished (otherwise, you have to stop it manually). When you play back your recording, you may be distressed to find that it is out of sequence with the original track. There is no way to adjust that at this point, so you should try to focus on the relative volume of the two tracks and whether you want to add any reverb, echo or other effects to your voice. When you are ready to mix them together, you click "Creates the mix music+vocals." After the software imports the two tracks, you can "pre-listen" to the mix and adjust the synchronization. I found that the program had sync gaps of anywhere from 75 to 200 milliseconds for MP3s, but was perfect for audio CD tracks. If the relative volume needs further adjustment, you need to cancel out of this dialog and return to the sequencer (this is a little frustrating since it seems as though it should be such a simple adjustment). When your mix is perfect, you can save it as a WAV file and, optionally, burn it to audio CD.
All in all, it's a fun toy with a number of frustrations. Other developers could learn from the software's unique behavior when you click on a control that is not available because you have a dialog open: it move the pointer to the dialog's close button and highlights it so you know what you need to do to navigate to that control. On the other hand, this can happen when you click in the wrong part of a control that actually is currently available. (For example, when the Sequencer is open, you can drag the sliders on the Equalizer, but if you double-click a slider to enter a numeric value, the pointer moves to the Sequencer's Close button even though this is a perfectly appropriate function in that context.) Some quibbles arise from lack of compliance with Windows conventions. For example, the navigator to browse for MP3s has a tree view in the left pane, but cannot show subfolders in the right pane, just files. That should be easy to fix. However, the main problem is that the software simply falls short of the very ambitious project of removing just the vocals. In this, the developers may be ahead of the market (and available freeware), but they still have a lot of work to do.

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Take your favorite audio CDs and replace the singer. Hide the main vocals on your audio CDs, change the key, change the tempo, and adapt the songs to your singing style, add lyrics, use studio quality effects, record and mix your own voice over the original song, create and burn your songs to audio CD's and play them onto your stereo, your PC, i-Pod - anywhere! It's time for you to be the singer, and become the star. Amazing features: You hide the vocals of your audio CD's in REAL TIME (this new technology is accurate for about 80% of the audio CD's of the market today. MyVoice cannot remove vocals from live recordings and/or very old recordings). MyVoice also adapts any song to your voice and your singing style: transposition up to +/- 1 octave without changing the speed of the music. You can also change the tempo without changing the pitch of the music or even use these two features combined together! When you've created your masterpiece burn the finished result onto an audio CD, usable on your regular home stereo system. With MyVoice you get a recording studio at your fingertips. • Record and mix your voice over the original soundtrack and create your own remixes. • Studio effects give your final creations a professional sound (reverb, flanger, chorus, echo, compressor, 10 band equalizer) • The karaoke window lets you enter all lyrics for your song (in sync with the music). • The CD-burning window lets you record and burn your creations on a regular audio CD readable on any home stero system. • MyVoice also has an integrated easy-to-use ripper: all your CD's can be converted into wav or mp3 files .

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